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Like the other major themes in Once Upon a Time in the West, much of the impact of “Man with a Harmonica” stems from its colourful use of musical timbres. © Mark Richards. Sergio Leone was a big fan of the show. Moreover, like the final statement of the first section, the intervals of the cell are enlarged by a step such that the rising perfect fifth and falling perfect fourth now become a rising minor sixth and falling diminished fifth. ... By the way, you know anything about a man going around playing the harmonica? Another example of the parts of a film being better than its sum! Charles Bronson as Harmonica in Once Upon a Time in the West (1968) Henry Fonda as Frank in Once Upon a Time in the West (1968) Jason Robards as Cheyenne in Once Upon a Time in the West (1968) Rate this movie on film's main page. Menu. The cue opens with a solo on the harmonica, itself an unusual instrument for film scores of the time. Jill McBain travels to the wild frontier; Utah - where she and her new husband planned to settle down. A question regarding Once Upon a Time in the West. Your email address will not be published. Recall, for instance, that both Jill’s theme and Cheyenne’s theme made use of various forms of the turn figure: In the Frank/Harmonica theme, Turn 1 appears as a link between the first and second phrases in the first section (at 1:16-1:17 and 1:14-1:42 in the recording), and between the first and second phrases in the second section (at 1:59-2:01). He is a ruthless, selfish, and sadistic mercenary who was hired by the railroad tycoon Morton to manipulate McBain into moving off the land, but he killed him and his family instead, and has only one goal; kill Harmonica and Cheyenne. rev 2021.1.26.38399, The best answers are voted up and rise to the top, Movies & TV Stack Exchange works best with JavaScript enabled, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site, Learn more about Stack Overflow the company, Learn more about hiring developers or posting ads with us. As musicologist and Morricone specialist Sergio Miceli writes. As Robert Cumbow describes in his book, The Films of Sergio Leone, this is an example of what he calls “theme sharing”, and this particular instance of it “represents not a character but a collision—not only the debt between the two men but also the one means of final resolution to which they have recourse.”. For this reason, especially in the first films of Leone but also … on many occasions afterward, I have attempted to distinguish it, to subtract it from its conventional function. It is almost as though Morricone is systematically shifting the micro-cell to keep it sounding fresh with each statement. Addeddate 2020-12-13 23:08:23 Identifier onceinthewest Scanner It is not merely the inclusion of these instruments that contributes to the unique so… While nobody knows it yet, Harmonica has a vendetta against Frank (as does Cheyenne), so the two me… I'll have to rewatch this after work today, but from my spotty recollection, I believe you are confusing scenes. Instead of talking, he plays. $area gives NULL for some polygons in QGIS's Field Calculator. Ennio Morricone's score for ONCE UPON A TIME IN THE WEST has always been haunting and melancholic for me since I first it saw many years ago on its release. Could double jeopardy protect a murderer who bribed the judge and jury to be declared not guilty? The fourth phrase (at 2:14) uses a similar neighbour note, but now in the opposite direction. "Once Upon a Time in the West" is a large-scale film running nearly three hours. But this opening gradually builds to the theme proper, which is announced with the aggressive sound of a type of electric guitar called a Fender Stratocaster. Is "indígeno" a word in Spanish and, if so, how does it differ from "autóctono"? But the other prominent theme in Once Upon a Time in the West is actually associated with both the mysterious Harmonica (Charles Bronson) and the cold-blooded Frank (Henry Fonda). These figures are highlighted in the analysis below: The introduction to the cue begins with the lone harmonica line, which wavers between E, D#, and the occasional C as well. While there is a Filmscore Guide on The Good, the Bad and the Ugly; I have not seen any kind of analysis of “For a few dollars more”, which is my favourite part of the Leone/Morricone Dollar-Trilogy. He had come across the novel The Hoods by the pseudonymous "Harry Grey", an autobiographical book based on the author's own experiences as a Jewish hood during Prohibition, and planned to adapt it into a film (17 years later, it would become his final film, Once Upon a Time in America). Through this three-part series on Ennio Morricone’s classic score for Once Upon a Time in the West, we have seen that the composer’s highly recognizable style relies on the repetition of a relatively small number of musical techniques. We keep your data private and do not share it with any third parties. This regular repetition of notes clarifies the pulse of the cue but not yet its meter, which is hinted at by the long bass notes and finally confirmed with the entrance of the electric guitar. [Total: 3 Average: 4 /5] Tweet Pin It. This is wonderful Mark – so interesting. A mysterious stranger with a harmonica joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad. In this case, the cell is also transposed, so the original A-E-B becomes E-A-D. Again, notice how the order of intervals are rearranged from the previous two statements: the first began with the perfect fifth, the second with a major second, and the third with the perfect fourth. The first two phrases of the second section (at 1:54 and 2:01) begin like those of the first, but with the rhythms of the micro-cell now accelerated to twice their original speed. Spoilers: The character of "Harmonica" (Charles Bronson) in Once Upon a Time in the West (1968) was influenced by Robert Vaughn as a character who played the harmonica and is a gunfighter in an episode of Zane Grey Theater (1956) in "Courage Is a Gun". This site uses Akismet to reduce spam. Many of them use his technique of “micro-cells”, a pseudo-serial approach often incorporating modal and tonal allusions, which, with its extreme reduction of compositional materials, has much in common with his film-music techniques. (This figure of moving stepwise to a note then returning back to the original is called a neighbour note, and is an extremely common melodic device in Morricone. Frank was the one who raped Jill, not Harmonica. Of course, on one level, these characters do possess their own themes, Harmonica the wavering, unharmonized harmonica line, Frank the menacing, leaping melody usually played by an electric guitar. In the first section, the opening phrase begins with the three-note fragment, A-E-B, giving the direct intervals of a perfect fifth (A-E) and a perfect fourth (E-B). This is the case, for example, with the previous two themes examined in this blog series: those for Jill and Cheyenne. Your email address will not be published. Can a client-side outbound TCP port be reused concurrently for multiple destinations? Harmonica knew Frank's men would be observing from afar for the right moment to launch an assault. Can someone tell me the purpose of this multi-tool. Musically, that outcome is the arrival of the final note of the theme proper, the tonic note of its key of A minor, which signifies resolution. … But in a more long-range sense, we can measure the interval between the first and last note as well, which gives a major second. In the Frank/Harmonica theme, the melody of the theme proper divides into two large sections, the first of which is longer and contains four short phrases (1:05-1:54 in the above recording), and the second containing five shorter phrases (1:54-2:35). At the same time, a woman named Jill (Claudia Cardinale) arrives from New Orleans, and reveals to the town she secretly married Brett. Ennio Morricone Wrote His Score Around The Script, But The Script Changed During Filming. 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